Amplifiers

Vox AC10C1

Way back in 1959, the Vox AC-10 was introduced as a midway point between the entry-level AC-4 and professional grade AC-15. Loaded with a single 10-inch speaker and all the Vox panache, the company holds it as one of the most highly coveted pieces in its storied history. Today though, a full 50 years since the original AC-10 was discontinued, a new, re-envisioned model finds the same sweet spot—rich, articulate tube tone at manageable volume levels and a reasonable price point.

Modern Classic

Though the 2015 version of the AC10 is a bit stripped down compared to its forebear, everything you need is still there. Gone is the finicky EF86 in the preamp, the tremolo and the cut control, but honestly—I don’t miss any of it.

You want jangly Vox cleans? They’re in there. Sparkling overdrive? Yup. That’s in there, too. Oh—it’s full-on, cranked-up Top Boost tone you’re after? You got it. And you want all that with reverb, enough volume to power over a modest drummer, a price tag well under 500 bucks and a weight that won’t break your back? Done, done, done and done. 

At Home

When I first unboxed and fired up the AC10C1, I was immediately impressed by the cleans and edge-of-breakup-to-medium gain textures. Again, the iconic Vox chime and growl I wanted was right there under my fingers—and I could dial in the EQ exactly the way I wanted, thanks to the interactive treble and bass controls.

Cranking it up was a bit less impressive, however. I wasn’t exactly expecting Brian May, but the grind that came out was pretty mushy and not nearly as articulate as I was hoping for. A quick tube swap with some quality glass though—note that I’m using the word quick with some hesitation here, as most of the 19 screws holding the back panel and chassis in place need to come out to get to the tubes—and I was much happier with the overall experience. The Vox roar I wanted was there, it was clear and it felt awesome.

And at a mere 10 watts, the AC10C1 is one of the best bedroom tube amps I’ve ever played. I’m not saying you can dime it and keep the baby asleep—but at modest levels, it’s more than manageable for home or apartment use.

On Stage

The AC10C1 landed just in time for me to take it along to my usual Thursday night rehearsal, so I took it along to play in stereo with my primary amp—and then spent the rest of the night flipping back and forth between the two.

In short, it held up very well. I set it for a chime-y edge-of-breakup tone and ran my Dr. Z a little flatter than usual in the stereo setup. Tonal bliss; so much extra dimension for my sound—and the Vox took my pedalboard much better than expected. (In my experience, Top Boost platforms can be frustrating with some of my favorite drives and fuzzes, but the AC10C1 was great.)

Then, to top it all off, I let a buddy run it for a set while I sat back and listened. He was running a Les Paul straight in and it was awesome—unmistakably Vox.

Pros and Cons

The weight of the AC10C1 is fantastic. Its big brother, the nearly 50-pound AC15C1, is a real backbreaker. But at a mere 27 pounds, this new 10-inch model is a godsend for gigging musicians everywhere. And yes, even at 10 watts, it’s definitely loud enough to work in a smaller venue. There might not be enough clean headroom to get over the modest drummer in your life—but what's the fun in playing clean anyway?

On the negative side—and this may just be personal preference—while I didn’t miss some of the tertiary controls, I definitely missed having a standby switch.

And the digital reverb is somewhere in the middle. I could take it or leave it. There's a bit of  splash going on, something like a real spring tank would do, but it's bigger and deeper than that, so a little goes a long way. Especially as you increase the gain. I found myself leaving it around 9:00 most of the time, just to add a bit of space to the sound, and was happy with it there.

What we like:

Vox should be proud of this one. The AC10C1 packs authentic tones, solid construction, a nice price and a weight that makes it a perfect choice for a lot of situations. But if you’re still looking for an endorsement, you should know that I’m planning to add one to my personal arsenal. (And so is my buddy, the Les Paul player.)

Concerns:

If amp pushed more air, I might be a little concerned about the proximity of the tubes to the speaker. But being a 10-watter, I’m not that worried. The design is pretty standard for a small combo and I didn’t notice any extra noise during my extended playthrough, even at the highest volume settings.

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7 Comments

  1. Gigi

    Care to tell us specifically which valves you used to replace the stock ones?
    Cheers!

  2. Phillip Hill

    “but what’s the fun in playing clean anyway?” 
    SEE?! Busted! Pro-distortion prejudice! I take issue! (Little smiley emoji thing here if I were that sort of person)

  3. Willy Tranchet

    Hello, I Bought one AC10 today :

    Care to tell us specifically which valves you used to replace the stock ones?
    Thx! Cheers!

    Willy (Belgium)

  4. Joe

    I’m also wondering what tubes you put in wink. Please respond.

  5. Drew Burget

    Hi Nick,

    Can you please tell what specifically you used in your “..quick tube swap with some quality glass…”?

    Thank You

  6. Jeremy

    I have an AC10C1. I thought it sounded great, but the tube swap made a huge difference and now it sounds amazing. I got this package: http://www.thetubestore.com/Shop-by-Amp/Vox-AC10C1-Custom/Vox-AC10C1-Custom-Value-Package with two JJ EL84 and two Tung-Sol 12AX7.

  7. Scott

    Ok, so, along with the other guys, which tubes did replace the stock tubes with?