If you’re a praise and worship guitarist, you know well the challenges of gearing up for a Sunday morning soundcheck at 6:30 a.m. While your buddies from their gig last night are yet to unpack the van, you’re en route to service with a keg of coffee in fist and a hatchback full of gear.
Each musical setting comes with its own known obstacles and unspoken rules. For Sunday players, the task is simply this: Your job is to provide the soundtrack for a space that cultivates connection to something more, yet if you do your job right, you should essentially go unnoticed. Nobody’s doling out bonus points for perching on a monitor and laying down a tap solo.
This different job description also demands careful gear considerations. While musical styles for Sunday mornings are diverse, one common denominator to most these days is the need for ambient sounds. This article offers up some simple pedal pairings to elevate those essential, washy sounds before, within, and between the songs of your praise and worship set.
Transformational Transitions Using a Synth Pedal and Delay-Reverb Duos
Setting up the space for your set is arguably the most important moment of your Sunday gig. But before your synth player plunks down a predictable pad and gives you the signal to come in, why not harness your soundscape stylings and set the tone yourself? Even better, rather than make this a war of egos, just let the Electro-Harmonix Superego make the case for you.
The Electro-Harmonix Superego, and now Superego+, allow you to hold and freeze any combination of notes. Where this gets interesting in a praise and worship application, however, is with the Gliss effect onboard. Here you not only hold a single sound but seamlessly segue between them in a progression that isn’t interrupted by the attack or decay of the notes or chords you’re playing.